Intercut Phone Conversation Screenplay

CLOSE ON If you really want to emphasize a detail, a clue, then this is the way to do it. " Which is to save the Jersey Shore -- there's some "rich kid" named "Rex" who's dealing drugs and blackmailing summer vacationers and the rich parents of Jersey are willing to throw down a hundred grand to keep the cops out of it. JULIE Don't rush. By David Trottier. submitting to a competition or festival. "Readers in Hollywood do a great deal of inductive reasoning, which goes something like this: "I just read 99 screenplays, they were all horrible, and they were all written in improper format. In Detroit, it’s. ADVICE How to use INTERCUT (self. ) 'Courge we have "Chinatown" I Robert Towne' g magterpLece Lg arguably the Great American Screenplay. Andrew steps through the interior, spots Savings and Loan manager Mibbler speaking heatedly into a telephone. How to Write an Intercut Phone Conversation Screenplay. This is the Crime Story Podcast with Kary Antholis where we have conversations about how and why narratives of crime and justice are told. “G et rid of phone call scenes,” has become a bit of a refrain on Scribe Meets World. A script written without being commissioned on the speculative hope that it will be sold. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. As noted in August 2003 Daily Variety and March 2006 Los Angeles Times news items, Daniel M. I also demonstrate how to write an intercut phone conversation between two different characters in different settings. peeling of an orange. So, the occasional letter or the rare phone call is the extent of their interaction with their only child. Whip pan - is a type of pan shot in which the camera moves sideways so quickly that the picture blurs into indistinct streaks. as director, actor, teacher and dramaturg. The Moving Van has obstructed her view. To write in slugline after slugline takes the reader out of the flow. Formatting a screenplay can be a bit intimidating and quite tedious. Wild Things script at the Internet Movie Script Database. KITCHEN - NIGHT. The phone falls to the floor, then the Motorist follows suit. Check this 57p. This article will teach you how to write an intercut in a screenplay or teleplay. INTERCUT: CHARACTER. Behold, the magic that is “INTERCUT. Title Page Every screenplay features a title page. Short Screenplay Contest. It is the easiest to read. After that, the Dialogue can be spoken by anyone in the current scene/previous scenes connected with the "INTERCUT WITH". This is a must-have reference book for any screenwriter. This doesn’t mean you should jettison all traces of proper formatting. You guessed it, we are back for Scenario 3 — our final post in the "How To Format A Phone Call in Traditional Screenwriting" series. Learn what it takes to get your script past one of these mythical Gatekeepers. Endora replies: " When the thermometer hit 98, my promise melted. Ike sits back on the couch, puts on his glasses and watches a video taped wedding playing on the TV screen. We can cut between both parties, or show just the caller or the recipient. APRIL Only when you hear my voice over the phone. Then before you go back to the first person, write on its own separate line "INTERCUT PHONE CONVERSATION. Plus such a small thing will not impact your script as long as whatever you do doesn't make the reading experience bad. First establish both locations with a scene heading. Screenplay ColeHagg-Formatted This is a very simple template using the basic setup from the "red book" -- The Complete Guide to Standard Script Formats - Part 1: The Screenplay by Hillis R. We get the title of the episode up top, and the date and the time in which its events occur. The INTERCUT is mainly used for phone conversations; its purpose is to show both speaking parties, but it essentially communicates to the reader (and the eventual director): "Show whomever you want to show when you want to show him or her. You have a general idea of what. O indicators to reveal who was in the shot. CUT TO: INT. A video on the proper use of INTERCUT with screenplay formatting. Ice Storm, The (1997) movie script by James Schamus. If you do use a parenthetical for a phone conversation, just do it once at the beginning, rather than repeating it for every piece of dialogue in the conversation. ca/services -~-~~-~~~-~~-~- Please watch: "Screenwriting 101: Final Draft - The. I'm guessing it might depend on the length of the conversation, or whether there is needed information to show from the "other end. BATMAN PILOT UNUSED REWRITE SCRIPT "THE HERO OF GOTHAM PARTS 1/2" BATMAN INTERCUT PHONE CONVERSATION. CLOSE ON If you really want to emphasize a detail, a clue, then this is the way to do it. Jeff Nathanson. Screenplay School: How to Format a Telephone Scene in Three Different Ways September 29, 2018 September 29, 2018 Ian Su This is an introduction to a new series of posts I'm doing on Screenwriting. The office is brightly lit. There’s no need to put the title, draft information, and date in the header. When the action moves back and forth between two scenes or shots of two characters, write, "INTERCUT. Mulwray scenes are intercut (a lot) in script #1, only once in the rewrite, and none at all in the film. If you missed the introduction to this series of articles, you may want to check it out first. Synopsis: Les majors Kidwell et Peary, deux marines appartenant à une unité d’élite, ont été déclarés morts en mission sans autre précision. " Before you can use Intercut, you have to establish the two scenes you're intercutting between. Identity is different because it actually forces the viewer to think. Thank you for your help. He received his M. I also demonstrate how to write an intercut phone conversation between two different characters in different settings. And learn for example, when to capitalise a character’s name (the first time only), the difference between three dots (pause) and two dashes (interruption), how to intercut a phone conversation (use INTERCUT SCENES in the first line of description of the second person’s location), the difference between O. The episode takes place between midnight and 1:00 a. You can have a split screen and show both people, which is the easiest way. Get it? o. The latter, however, probably never existed as a final cut. Both are a little awkward; cute but in a dorky way. The scene now intercuts between the conversation between BLAINE and SEBASTIAN, and RACHEL and SANTANA singing A Boy Like That in the auditorium. INTERCUT - KELLY/SAM PHONE CONVERSATION Kelly is in the guest house, pacing in front of the gun case. She hangs up. In years past, 'Apocalypse Now' was previously distributed on VHS, Laserdisc, and DVD by Paramount Home Entertainment. An INTERCUT is a technique whereby a writer can alternate between two or more locations without having to re-establish master sluglines. ) DAVID'S VOICE (over phone) Hello? LIPSKY. I'm guessing it might depend on the length of the conversation, or whether there is needed information to show from the "other end. Then intercut for each line until Person #2 gets to the main point of their part of the conversation. Screenplay by Richard Maibaum. Art of the Cut: Conversations with Film and TV Editors. QUESTION #1 – PHONE CONVERSATIONS What is the best way to cross cut a telephone conversation that cuts back and forth between two characters. She wears a dark sweatshirt and a winter hat. You have a general idea of what. Foster suspects that Dalotek, a private mining company with a nearby base whose operations are opposed by Straker, may have accidentally been using the S. And then we get a little montage—the kind that usually ends a “very special Buffy”—set. A glance at the clock. I'm writing a screenplay at the moment and I'm not sure how the following scene should be formatted - basically it is two scenes going at the same time, repeatedly jumping back and forth between the two. Stage center. Beyond the basics of layout and margins, there are some gray areas of. Not only is the formatting a bitch, but it's inherently undramatic to show two people talking in different places. Full text of "Straight Outta Compton Screenplay By Jonathan Herman And Andrea Berloff" See other formats. CONT'D means CONTINUED, something you should always put if a character says something right after something. "Readers in Hollywood do a great deal of inductive reasoning, which goes something like this: "I just read 99 screenplays, they were all horrible, and they were all written in improper format. conversation. If you want to show both sides of the conversation, write: INTERCUT TELEPHONE CONVERSATION Briefly describe where the other caller is located, and then write the dialogue as usual. This is the original shooting screenplay. Mid conversation: ERICA How exactly did you get beat up?! INT. for the audience to visualize while he's on the phone. The title of a script is centered on the page with your name directly beneath it. It is typically used when characters are conducting telephone conversations but that need not be the only time this is used. He's killed Marino and Snowflake. The mastermind behind the script needs the phone conversation to fit the context of the situation without being lame or dragging out the scene (AKA the moment of the feature where people decide to take their bathroom break). Willow is perched on the edge of a decorative planter or wall. CUTTER (shouting) Give Ramsay a message for me! Tell him I'm gonna reach out and touch him -- and it's not gonna be with a phone! Cutter is hustled out the door. The Shining. How to Write an Intercut Phone Conversation Screenplay. as director, actor, teacher and dramaturg. Screenplay writing query Creative Writing. BATMAN PILOT UNUSED REWRITE SCRIPT "THE HERO OF GOTHAM PARTS 1/2" BATMAN INTERCUT PHONE CONVERSATION. Then before you go back to the first person, write on its own separate line "INTERCUT PHONE CONVERSATION. That way lies over-writing. The Cabin in the Cotton US (1932): Drama 77 min, No rating, Black & White, Available on videocassette Bette Davis in her first wickedly sexy role, trying to tempt Richard Barthelmess away from virtue (Dorothy Jordan). JENNY Calm down, Samantha. Written by Larry and Andy Wachowski. The advice and rantings of a Hollywood script reader tired of seeing screenwriters make the same mistakes, saving the world from bad writing one screenplay at a time. There’s a little room. ROYAL GUARDSMAN Hello? QUEEN (V. Berlin,1945). the caller dialing the phone), then set up the second location (i. Forgive me if I've bungled the quote, but I think I got the meaning correctly, if not its poetry. If you believe you have a VERY good reason to write the scene as split screen in your play then you can introduce it with a slug such as: SPLIT SCREEN – TELEPHONE CONVERSATION Then proceed to write the scene normally. The mastermind behind the script needs the phone conversation to fit the context of the situation without being lame or dragging out the scene (AKA the moment of the feature where people decide to take their bathroom break). (The title, by the way, shouldn't appear anywhere on the script itself. I don't want to hear one person in a voiceover. We can have much more interesting phone conversations now that we have cell phones and people can be shopping, walking through crowded subways, or watching two camels humping at the zoo while they talk on the phone. A left justified “INTERCUT PHONE CONVERSATION:” or “INTERCUT BATTLE SCENES:” works fine. The Voice-over Narration in Screenplays May 16th, 2014. CHARACTER #2 (into phone) And show your second character like this. I also demonstrate how to write an intercut phone conversation between two different characters in different settings. #10: "Thou shalt get one phone call" We asked our format expert, Matt, aka Formatman, to lead us through the 10 screenplay formatting commandments. Developer "What makes me wake up early every morning and work on Screenplay is knowing that somewhere in the world there's a kid who plays our game without knowing they might be the next big computer scientist. This lets the director decide which end of the phone conversation we're seeing. Anchored by MC Brendhan Lovegrove, episodes follow a night's performances; onstage routines are intercut with action from the green room and front of house. A blinking cursor pulses in the electric darkness like a heart coursing with phosphorous light, burning beneath the derma of black-neon glass. After watching this episode,I looked up Akinetopsia on the internet and it turns out that it is not quite described correctly as it is in the episode. MARY'S BEDROOM - NIGHT She answers the phone. In Part One we understood the basics of the screenplay format, the page layout and the title page. Based on the novel by Rick Moody. MANIAC, 42 and completely insane, calls from a red British pay phone. INTERCUT Sharon’s conversation with Darlene. The reason to take heart from all this fat flensing is that Robert Towne was already one of the finest writers in the business, yet he had a long way to go from Draft #1 to the script they shot. 7 It's important that no one leeks…should be leaks. Identity is different because it actually forces the viewer to think. The two places where it strains credulity is a phone conversation to have tea with Serizawa, where the stand-in manages to hide his face with his arm except for the signature eye-patch he sports, and a hallway encounter with Yamane, where the stand-in does not resemble Takashi Shimura, with the exception of white hair. An easy way out of this is to offer a INTERCUT - PHONE CONVERSATION for scene heading. QUESTION #1 - PHONE CONVERSATIONS What is the best way to cross cut a telephone conversation that cuts back and forth between two characters. Scene Descriptions. Writing a screenplay is very different from writing a novel, for example. By: Stroke Comeback Center. This is done so that people are able to identify the difference right off the bat without having to read too closely. You guessed it, we are back for Scenario 3--our final post in the "How To Format A Phone Call in Traditional Screenwriting" series. ANOTHER PSYCHIATRIST'S OFFICE, SAME Carswell Fensterwald looks unstable. INTERCUT PHONE CONVERSATION SAMANTHA It was so bizarre. SCREENPLAY THE FOUNDATIONS OF SCREENWRITING A STEP-BY-STEP GUIDE FROM CONCEPT TO FINISHED SCRIPT. ) 911, what is your emergency? NATE (into phone) Hi, the big hardware store on Elm's being robbed. LOCATION - DAY/NIGHT. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. We can have much more interesting phone conversations now that we have cell phones and people can be shopping, walking through crowded subways, or watching two camels humping at the zoo while they talk on the phone. ♦ INTERCUT — PHONE CONVERSATION ♦ INTERCUT phone conversation ♦ INTERCUT with Emily in Central Park ♦ INTERCUT with: Another variation on this format of seeing and hearing both characters during a phone call is to use a SPLIT SCREEN. The easiest way to format a two-sided conversation like this is to simply establish one character in one location. into the phone like this. Another is INTERCUT, used for a phone conversation after the location of each party is established with prior sluglines. An easy way out of this is to offer a INTERCUT - PHONE CONVERSATION for scene heading. He looks concerned. Screenplay/Script. Just me at my computer. Screenplay Format Guide 3. We'll know the character is no longer on the phone when he hangs up. INTERCUT: PHONE CONVERSATION DAN Yeahhhh, how are you feeling?. INTERCUT - TELEPHONE CONVERSATION etc, etc. Examples: Ordering a pizza, making a doctor's appointment. This adds a little more stylistic flair but is best used sparingly. The Wailing’s Brilliant Ambiguity. Can be written with standard scene breaks. He picks up the receiver and starts dialing. There’s no one “right” way, but I tend to choose the first option, since space is. Circles review – Birmingham seen from the top of a bus one of those loud irritants who makes his mobile phone conversations sound like a performance by a hip-hop MC, until it transpires that. JACK'S HOME ( if your previous slug line already established this general location, then get specific - i. JOE You're filtered? INTERCUT WITH: EXT. The table and the laser heads stop moving. This is the pre-internet, pre-smart phone era. It is the easiest to read. SCREENPLAY THE FOUNDATIONS OF SCREENWRITING A STEP-BY-STEP GUIDE FROM CONCEPT TO FINISHED SCRIPT. In a screenplay, your antagonist could be either active or passive, depending on which aspect gives the most dramatic tension to your story, relative. an 8-10 minute screenplay about a guy who recieves a call for help from his ex-girlfriend claiming to have car trouble. JULIE What? INTERCUT PHONE CONVERSATION ADAM AND JULIE ADAM Something's come up. beyond the phone conversation. Each kind of dialogue has different formatting in screenwriting that you have to familiarize yourself with. Trevor Hogg chats with Academy Award-winning film editor Anne V. 12 point Courier font is the proper typeface. Doc hears the sound and turns with the martyred air of a man who's been called to the phone too many times. INTERCUT BETWEEN can be used as a slugline for a phone conversation after the location of each party is established with prior sluglines. INTERCUT: CHARACTER #1 (into phone) Then continue the conversation, intercutting comfortably between the two characters. JOE'S HOUSE - BEDROOM - NIGHT. 7 It's important that no one leeks…should be leaks. #10: "Thou shalt get one phone call" We asked our format expert, Matt, aka Formatman, to lead us through the 10 screenplay formatting commandments. I do remember while watching the credits,that I reflected. What is a script? A sequence of sentences that a person typically speaks in routine conversation / communication. If you missed the introduction to this series of articles, you may want to check it out first. Check this 57p. This, for the benefit of future rock historians, is the transscript of a screenplay I wrote in the summer of 1977. Foster suspects that Dalotek, a private mining company with a nearby base whose operations are opposed by Straker, may have accidentally been using the S. Screenplay/Script. ADVICE How to use INTERCUT (self. INTERCUT - INT. Script: As the conversation continues and Tabitha mentions the swimming pool, Darrin has a fit and reminds Endora that she promised no hocus-pocus in front of the children. By the late 1970’s and early 1980’s, the years of exploitation were close to running their course. INTERCUT - TELEPHONE CONVERSATION etc, etc. the show, directed it, supervised the writing of the script, and also starred as the bartender, Archie. Title Page Every screenplay features a title page. I kinda liked the first act though. This article will teach you how to write an intercut in a screenplay or teleplay. MANIAC He wanted to get. I have a phone convo between two characters. How To Format A Screenplay Your story is plotted, your characters are developed and your scenes are outlined, you are now ready to write your script in the correct format. (#219) Nine Is Enough Nine is Enough by Bryan Callen: Bryan attends a masked hotel room orgy with a famous man rather than prepare to audition for Sydney Pollack. Say you have a scene in your screenplay where there are two sides of a conversation (such as a PHONE CALL), or two different scenes happening at the same time, and you don't want to write sluglines for every scene, you intercut. Instead of repeating the Scene Heading for each scene over and over, an INTERCUT is used. This is the Crime Story Podcast with Kary Antholis where we have conversations about how and why narratives of crime and justice are told. Then write a slug line for the second person's location and show that person talking on the phone. Prominent on his desk is a copy of Marvin's book. He clicks the hookswitch up and down trying to get a dial tone. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. CONVERSATION FIGURE. INTERCUT - SITTING ROOM. The film was directed by Martin Campbell and adapted for the screen by Neal Purvis, Robert Wade, and Paul Haggis. Then, describe the action of the phone RINGING and whatever dialogue you need. Screenplay writing query Creative Writing. SUBLIME DESIRES WEBISODE 1 - "PILOT" A Screenplay by Sergio Mena Jr. Developer "What makes me wake up early every morning and work on Screenplay is knowing that somewhere in the world there's a kid who plays our game without knowing they might be the next big computer scientist. What it means is that a screenwriter writes a screenplay on his own initiative in the hope that someone will option it and eventually purchase it. The reason to take heart from all this fat flensing is that Robert Towne was already one of the finest writers in the business, yet he had a long way to go from Draft #1 to the script they shot. " It is the director’s job to visualize the script and put their personal stamp on it. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. INTERCUT - TELEPHONE CONVERSATION FERGUSON What's up Cochise. This article will teach you how to write an intercut in a screenplay or teleplay. The film traces writer James Salter's lifelong love affair with France, unforgettably expressed in his 1967 masterpiece, A Sport and a Pastime. Berlin,1945). A left justified “INTERCUT PHONE CONVERSATION:” or “INTERCUT BATTLE SCENES:” works fine. Short Screenplay Contest. Speaking - Dialogues - Talking on the phone (beginner A2): Interactive and multimedia-based study contents regarding English conversation - Learning English Online. val1 May 8, 2018 at 7:10 am. Telephone conversations can be tricky. I was thinking of cutting it so that for the first few lines (which are rather short), we only see Person #1 and just hear a voiceover for Person #2 (to avoid rapid cuts). NAVY NCIS Production 008 (BEGIN TELEPHONE INTERCUTS) (SCENE CUT) Lately I noticed that his conversations with Nasir seemed longer than his. So, other than my own highly inspirational book, Q & A: The Working Screenwriter, I’d like to suggest two that give a great nuts-and-bolts overview and will help immensely in getting your script written properly. 12) and can no longer run the Screenwriter? Click here. If you want to show these characters in the location they're in, you can literally go back and forth between the scenes of the two characters on the phone or you can INTERCUT. When the conversation is over, the character your left describing will dictate which location finishes out the scene. Que vous soyez un scénariste professionnel ou amateur, en utilisant la police correcte, les marges, Les intitulés et des éléments d'action, il est plus facil. Trees dripping, their branches torn, the air warming just before the break of a new day. If you put in a new slugline every time you changed speakers on a phone call, the script would be 180 pages. CHESTER What's up, bro! What are you up to? INTERCUT - PHONE CONVERSATION JAKE Nada, just chillin. Screenplay by Richard Maibaum. One easy way to show one character interrupting another is to use double-dashes or an ellipsis to indicate the first character’s dialogue is being interrupted. A left justified “INTERCUT PHONE CONVERSATION:” or “INTERCUT BATTLE SCENES:” works fine. All background is left justified and runs the entire length of the page. dougkissock. I kinda liked the first act though. Tara and Xander sit on the only two lawn chairs. The Director's Cut still differs a little from it. If you've missed either Scenario 1 or Scenario 2, we encourage you to check them out so you can be sure to get the full scoop on formatting a phone call in your screenplay. If you want to show both sides of the conversation, write: INTERCUT TELEPHONE CONVERSATION Briefly describe where the other caller is located, and then write the dialogue as usual. (pauses) Yes. Did you just install MacOS Sierra (10. James Cottle, a Scriptwriting Mega-Scholar™, is now a real world Freelance Writer, in between intense bouts of Script Reading. The Voice-over Narration in Screenplays May 16th, 2014. TRAIN - DARKNESS BEFORE DAWN Suburban Connecticut, outside of New York City, 1973. On the basis of "reader-proofing" our scripts then, here's a one stop shop for all your format queries. Developer "What makes me wake up early every morning and work on Screenplay is knowing that somewhere in the world there's a kid who plays our game without knowing they might be the next big computer scientist. Drama strategies – also known as drama techniques or drama conventions – are the everyday tools of the drama teacher. It’s clear from the opening of “Conversations With Dead People” that this is going to be an unusual one. Set up both locations, intercut, and roll the dialogue. WELCOME TO THE GREAT TEMPLE OF RICHES,FAME AND POWERS. There are various ways you can present them, depending on which character you wish to be the focus of our attention, and how much latitude you wish to give the editor. Peter returns. I'm not sure when it's best to use an Intercut and when it's not. When a character recalls an important event from his past, that memory can be shown in a flashback. I'm writing a screenplay at the moment and I'm not sure how the following scene should be formatted - basically it is two scenes going at the same time, repeatedly jumping back and forth between the two. JORDAN'S DINING ROOM JORDAN sits on his dining table chair and has his arms. Shetland’s annual film festival is curated by celebrated film historian Linda Ruth Williams and film critic Mark Kermode, alongside our own Film Programme Manager Jenny Leask. Recap of my screenplay-novel TRUTH MARATHON: Paul, an English-as-a-Foreign Language instructor who is struggling to survive on low-paying contract work, is caught in the nexus of stress that afflicts all members of 21st Century society -- or at least, those members of it who do not create the nexus. He spots Saving and Loan Manager Mibbler speaking heatedly into a telephone. If you write all your scenes with sluglines beginning with INT. These should read INT/EXT. Thinking about this script. intercut phone conversation – andy and amy AMY, a tall senior with dark hair and deep tan skin, leans up against her sports coupe, parked on the side of a poorly lit residential road. Before its theatrical release, director Bryan Singer mentioned that apparently only a single sequence with a length of approx. A video on the proper use of INTERCUT with screenplay formatting. By: Stroke Comeback Center. BOND (into phone)Well, let's have a look at it. JACK'S HOME ( if your previous slug line already established this general location, then get specific - i. http://aucoinink. BEIJING ABDUCTION Written by Cheryl West Petty. GANDHI If you are a minority of one, the truth is the truth. sticking to the script) I have come to surrender the North. Thank you for your help. Your script-formatting program can do this automatically. And one of them is my old boss from-- The wrench descends. Locate a screenplay template. His friend BRYCE (16) sits nearby, equally bloodied and bruised. And then we get a little montage—the kind that usually ends a “very special Buffy”—set. In other words, they did not simply. INTERCUT - TELEPHONE CONVERSATION etc, etc. Rests his head on the file cabinet. Whether you need a script consultant or a class, I am your screenwriting mentor and your "on call" Dr. However, production company Zoetrope Studios recently changed distributors to Lionsgate Entertainment, which has released the movie on Blu-ray in two configurations: either a 2-Film Set or a more comprehensive 3-disc Full Disclosure Edition (the copy under review here). JACK'S HOME ( if your previous slug line already established this general location, then get specific - i. All background is left justified and runs the entire length of the page. Then on the next line write “INTERCUT — PHONE CONVERSATION” or “INTERCUT with (Character name) and (Character name). Kramer crosses over to the telephone. Screenplay School: How to Format a Telephone Scene in Three Different Ways September 29, 2018 September 29, 2018 Ian Su This is an introduction to a new series of posts I'm doing on Screenwriting. This is the best glossary of video and film production term. This adds a little more stylistic flair but is best used sparingly. Identity is different because it actually forces the viewer to think. Here is a guide for writing phone dialogue in your screenplay. JOE'S BEDROOM - NIGHT Joe dials a number. Dan is a produced screenwriter, CEO of Nuvotech and creator of Script Studio screenwriting software (formerly Movie Outline). Rests his head on the file cabinet. Both are a little awkward; cute but in a dorky way. Annie negotiates traffic while anxiously holding her cell phone to her ear. The most common way is to use an (INTERCUT), formatted as a General from the toolbar above the script. Or has it? MIA Brian. Here you would setup the first location with a brief scene (i. First establish both locations with a scene heading. SPFX Abbreviation for Special Effects. Everyone is thick with colds. LOCATION - DAY/NIGHT. HANSEN It's sucking up satellite relays, cell phone conversations, TV broadcasts every electronic communication from earth from all time. JULIE What? INTERCUT PHONE CONVERSATION ADAM AND JULIE ADAM Something's come up.